These stripes are in fact the raw canvas revealed between broad black stripes painted with few visible brushstrokes. Magnetized, the viewer is drawn closer seeking to read the pattern of pinstripes on the surface. It is a monochrome rectangular painting on a heavy chassis projecting from the wall into surrounding space as if urging the viewer to move back.
#Minimalist drawing series
Unquestionably a key monument in modern art, this work, one of the series of Black Paintings done by Frank Stella, is a bold counter-movement against the eminent Abstract Expressionist painters. The Minimalists' more democratic point of view was set out in writings as well as exhibitions by their leaders Sol LeWitt, Donald Judd, and Robert Morris. In particular, they rejected the formalist dogma espoused by the critic Clement Greenberg that placed limitations on the art of painting and privileged artists who seemed to paint under his direction. Minimalists sought to break down traditional notions of sculpture and to erase distinctions between painting and sculpture.They were often faced with artworks that demanded a physical as well as a visual response. Viewers also were led to experience qualities of weight, height, gravity, agility or even the appearance of light as a material presence. The use of prefabricated industrial materials and simple, often repeated geometric forms together with the emphasis placed on the physical space occupied by the artwork led to some works that forced the viewer to confront the arrangement and scale of the forms.Based on these sources, Minimalists created works that resembled factory-built commodities and upended traditional definitions of art whose meaning was tied to a narrative or to the artist. The readymades of Marcel Duchamp were also inspirational examples of the employment of prefabricated materials. The Constructivist approach led to the use of modular fabrication and industrial materials in preference to the craft techniques of traditional sculpture. The post-Sputnik era revived active interest in Russian Constructivism.This denial of expression coupled with an interest in making objects that avoided the appearance of fine art led to the creation of sleek, geometric works that purposefully and radically eschew conventional aesthetic appeal. Minimalists distanced themselves from the Abstract Expressionists by removing suggestions of biography from their art or, indeed, metaphors of any kind.And members of a new movement, Post-Minimalism, were already challenging its authority and were thus a testament to how important Minimalism itself became.
#Minimalist drawing plus
By the end of the 1970s, Minimalism had triumphed in America and Europe through a combination of forces including museum curators, art dealers, and publications, plus new systems of private and government patronage. Painters and sculptors avoided overt symbolism and emotional content, but instead called attention to the materiality of the works. The new art favored the cool over the "dramatic": their sculptures were frequently fabricated from industrial materials and emphasized anonymity over the expressive excess of Abstract Expressionism. A wave of new influences and rediscovered styles led younger artists to question conventional boundaries between various media.
Minimalism emerged in New York in the early 1960s among artists who were self-consciously renouncing recent art they thought had become stale and academic.
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